Jo is still getting airplay throughout the world.
Gothic Paradise and Radio Inferno,
we say many thanks here at Ephemera.
Behave!
the good sister cleophas
I just discovered Heathen Harvest’s great review of The Last Drive In. What pleased me most was the fact that they not only recognized my love of horror film ( in particular classical horror ) but they were able to invoke my work in the same breath as Jorg Buttgereit’s Nekromantik and Joe D’Amato disemboweling someone in a Victorian castle
These specific examples might not have been the films that I had visualized while manifesting this work,but all the same, it’s a rare tribute when people can be as creative as to envision “Aren’t You His Mother Rosemary” underscoring such provocative film making! The contrast of this particularly gentle haunting melody aligned with graphic disturbing imagery is actually something that I’ve often thought would make for an exquisite interpretive counterpoint blending of the two mediums, these two contrasting themes. I’ve seen this technique used for example in Narciso Ibanez Serrador’s 1969 Gothic masterpiece The House That Screamed. John Moulder Brown’s slow motion attack on an innocent maiden set in dark hazy, muted tones as a beautifully poignant melody supports the violence of the scene. It serves as a very dramatic and arousing agent.
Bravo Heathen Harvest, you honor me!
http://www.heathenharvest.com/article.php?story=20080811063830375
Jo Gabriel aka Monster Girl read my blog here:http://monstergirl.wordpress.com/
In Rotation, July 2008 by Steven Ghillany
http://www.morbidoutlook.com/music/inrotation/2008_07_inrotation.html
Mick Mercer granted me the honor of reviewing both The Amber Sessions and The Last Drive In~ And in his inimitable writing style, he graced my work with a very complimentary testimonial indeed~
I am feeling very grateful these days for the incredible praise that both these albums are attracting from various people who I greatly respect. A thousand kisses and sunflowers cast their way!
Mick tells that a review of Fools and Orphans is immanent…
I think I’ll go buy myself an ice cream now.
Here are his reviews of Amber and Drive In:
http://mickmercer.livejournal.com/836856.html
http://mickmercer.livejournal.com/835071.html
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I have been honored by two incredible reviews by Sean at Organ Magazine! I apologize for having disturbed Biddy the Cat whilst he was trying to jot down his impressions of the music!
But cat’s are resilient creatures and tonight Biddy shall pick several songs to play on RESONANCE 104.4 FM London every sunday night at 9pm
http://www.resonancefm.com world wide
Here they are~ bless you Sean and Biddy~!
Jo Gabriel: Masque of the Red Death, Ninthspace review off The Last Drive In
Filmmakers looking for a spooky but engaging soundtrack to accompany their Times New Roman opening credits (complete with sweeping shots of barren landscapes only broken by highway) need look no further than Masque of the Red Death. Taken from Jo Gabriel’s album The Last Drive In, this instrumental appropriates its title from the film of the same name. The key to its success is that it doesn’t attempt to ratchet up tension, or reach any conclusion – any tension that exists is created solely by the listener. Instead it drives onwards, quietly, mercilessly, the piano riding over macabre synth drones which hint at what might happen if you choose to deviate from the given path. And of course we always do.
Wednesday, April 02, 2008
Jo Gabriel: Waking The Dark NinthSpace review April 1st-
Waking The Dark sets the scene on Jo Gabriel’s album The Last Drive In – nine tracks of solitary terror. I think that’s the plan, but to my ears, using the piano as a centerpiece for such evocative ambience results in something rather beautiful although this doesn’t manifest itself until many hours after that first listen. Subsequent listens are more welcoming.
This opening piece, like all its companions, appears to pair structure with improvisation. The repeated phrases which shift key are emphasised by a subtle organ drone which follows them around, sometimes joined by strings. These movements turn incredibly pretty at times. Upsetting and unsettling this balance are occasional flourishes of keys and synth pads which draw the music back to its primary intentions.
Those lovely Davenport sisters played Masque Of The Red Death on their fabulous radio show!
The Clockwork Cabaret 103.5 LP FM Carrboro and Chapel Hill NC
Playlist 3.11.08
Magnetic Fields – Born On a Train
Gogol Bordello – Start Wearing Purple
Kraftwork – Europe Endless
Switchblade Symphony – Sheep
New Model Army – Aimless Desire
New Model Army – I Love the World
Siouxsie and the Banshees – Little Johnny Jewel
Tom Waits – What’s He Building?
Unextraordinary Gentlemen – Open Arms Empty Air
Theme from Those Magnificent Men in their Flying Machines
The Smiths – Cemetery Gates
Einsturzende Neubauten – Sand
Nick Drake – Pink Moon
Thomas Dolby – One of Our Submarines
The Tuna Helpers – Blueberry Head
They Might Be Giants – Seven
Jo Gabriel – Masque of the Red Death
The Decemberists – Chimbly Sweep
Ethel Merman – I’m an Indian Too
Alarm Will Sound – Prep Gwarlek 38
Puppini Sisters – Walk Like an Egyptian
Scott Joplin – Something Doing
Tiger Lillies – Never Marry a Man
Dolly Parton – Silver Dagger
Rasputina – If Your Kisses Can’t Hold The Man You Love
Man Man – Skin Tension
Reverend Glasseye – God Help you Dumb Boy
Sepiachord ![]() |
Mar 3, 2008 9:54 AMPlaylist for the Week Ending 3.3.08 Walter Sickert & the Army of Broken Toys: The Negative Heart Society |
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Neo classical/Goth pianist and vocalist extrodinare Jo Gabriel has TWO releases out this month that you’ll be hearing a lot of during my broadcasts of The Dead OF Night.
“THE LAST DRIVE IN” and
“THE AMBER SESSIONS” are both available through her website at http://www.jogabriel.com/
The Last Drive In is a collection of instrumentals that invokes the feeling and atmospere of those late night horror movie matinees, bringing to mind that other worldly sense of being one step beyond the imagined borders of our reality. Jo seamlessly interweaves both accoustic piano and synth sounds, mounting both tension and drama within the context of every composition to really transport the listener. Where so many artists merely try to achieve that balance of atmosphere and driving sense of movement Jo succeedes and creates and audio soundscape that is above and beyond what you’d ever expect.Track four “There’s A Crack In The Wall” will be featured during my next broadcast, tune in and hear it for yourself.
The Amber Sessions…
Within the context of this body of work the listener is treated to a myriad number of explorative textural movements in sound and composition, at times stark and dissonant, other numbers will simply floor you with a haunting melodic touch seldom heard in so far as it’s vulnerability and artistic scope. Each track on this EP (It’s actually 13 tracks in length)has a unique perspective unto its own. There’s an underlying sense of restless exploration where no definitive is settled on and happily so. This CD is a place you’ll want to get lost in for a while, not caring if you ever find your way back.
I’m not big on rating systems and I don’t think there’s a definitve number of stars you can award work like this, each CD is a truth unto itself and worth owning however, you don’t have to take my word on it, go to Jo’s MySpace page and give her work a listen…
http://www.myspace.com/jogabriel
WDBX 91.1FM
Delusions of Adequacy interview with Jo Gabriel by Jen Stratosphere Fanzine
Posted in Cats&Film, Commentary:Life, Credits/Musicians, film score, Film&Cats, Fools & Orphans, Hunting Down The Ceremony 2 Volume Album, interviews, Island, miscellaneous songs, Music Reviews, News, projects in progress, The Amber Sessions, The Last Drive In, The Unreachable Sky with tags singer/songwriter. gothic ethereal.melodramatic pop. "J on March 30, 2010 by Sister Cleophashttp://www.adequacy.net/2010/03/interview-with-jo-gabriel/
Jo’s very personal interview with Jen Delaney of Stratosphere Fanzine and Delusions of Adequacy was released today! It’s probably the most telling expose/interview yet. The good sister hopes you spend a little time with our little joey, getting to know her a little better.
We thank Jen for all the time and effort she put into this interview.
Be good brothers and sisters
The Good Sister Cleophas
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