Jo Gabriel: Fools and Orphans

There are moments in Bulldozer, the opening song from Jo Gabriel’s new album, when Stephanie Rearick’s trumpet heralds the words ‘why should I love you’. These brief but beautiful events mark the most striking difference between this album and its more elaborate (if not immediate) predecessor Island. Fools and Orphansdraws away from traditional arrangements to let the songs breathe, and in doing so allows Jo to continue distinguishing herself from the current ’..and piano’ crowd (I like Emm Gryner’s term ‘contemporary nonsensery.’) Few artists have the ability or opportunity to be this daring (mostly down to record label pressures, no doubt) and this successful. Fools and Orphans shines from its own darkness.Kristin Hersh’s The Grotto was an album born out of loss and the resulting reflection on life and relationships. Fools and Orphans is different – its main theme is also loss, but barely offers sanctuary. The Grotto tears me apart and then rebuilds me; Fools and Orphans does the former then leaves a lingering sadness, although it’s more compelling as a result. The open arrangements, often rhythmically fluid and spontaneous are charmingly beautiful and ideal for such stories. It’s up to us to fill in the blanks, to empathise and to draw comparisons with our own lives. Continue reading